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Minggu, 02 Oktober 2011

cara upload file website pribadi ke webhosting gratis

Membuat website adalah suatu hal yang sudah biasa di masa sekarang ini. Setelah kita membuat

website, supaya bisa diakses dari internet, maka kita harus mempublishnya/meletakkan di
server Hosting. Atau istilahnya kita meminjam tempat /space pada hardisk yang berada di
computer server milik penyedia layanan Web Hosting. Sudah banyak sekali tempat yang
menyediakan layanan ini. Yang namanya pinjam, ya tentunya atau biasanya kita harus
membayar, kecuali kalo minjem sama temen baru boleh ga bayar, itu juga ga semua temen
kayaknya . Apalagi di jaman seperti sekarang ini yang segalanya diukur dengan uang. Akan
tetapi dari sekian banyak penyedia layanan hosting yang sudah menjamur, baik di luar maupun
dalam negeri, ada juga yang mau berbaik hati sama kita dengan menyediakan layanan secara
gratis. Salah satunya adalah http://www.100webspace.com.
Sebetulnya ada banyak web hosting yang gratisan, tapi biasanya ga mendukung php sama mysql.
Yah masa hari gini ga pake PHP – MySQL, ya kurang keren lah….  Saya kira udah banyak
yang tahu tentang Hosting Gratisan yang mendukung PHP sama MySQL, tapi barangkali ada
yang belum tahu, ya moga aja bermanfaat. Bagi yang udah tau … ya maaf….. Tulisan ini untuk
adik2ku, temen2ku, sahabat2ku atau siapa aja lah yang membutuhkannya.


untuk lebih lengkapnya, silahkan download file nya dibawah ini :

http://ilmukomputer.org/wp-content/uploads/2007/07/masuun-upload.pdf
Rabu, 28 September 2011

Cara mengupload website ke Hosting


tips / cara upload file website ke tempat hosting :
1.      Signup ke salah satu web penyedia webhosting utk menaruh isi web kita, misal :
Cara daftarnya sama dengan membuat email, tinggal klik Sign up
2.      Setelah berhasil mendaftar maka anda akan mendapatkan accout pada phpnet.us  seperti :
 

Welcome to phpnet.us
Your account details are:
 
--------------------------------------------------------
FTP
Server/Host:   ftp.phpnet.us
Username:      pn_624448
Password:      xxxxx
 
Short flash movie: How to FTP connect to your web site:
http://www.phpnet.us/videos/FTP.swf
--------------------------------------------------------
MySQL
Username:   pn_624448
Password:   xxxxx
Server:     sql1.phpnet.us 
 
**Please Create your database in the cpanel**
 
Cpanel URL:             http://cpanel.phpnet.us
Cpanel User:            pn_624448
Cpanel Password :       xxxxx
 
1.      Setelah itu, login ke phpnet.us melalui http://cpanel.phpnet.us 
untuk lebih lanjut, silahkan download link url dibawah ini :
http://www.google.co.id/url?sa=t&rct=j&q=cara%20upload%20file%20ke%20website&source=web&cd=3&sqi=2&ved=0CCUQFjAC&url=http%3A%2F%2Foc.its.ac.id%2Fambilfile.php%3Fidp%3D118&ei=yemDTtbONcLtrQe41vHFDA&usg=AFQjCNGcUZ9Wx20FuFBd1WeChwZ2Q8SIPw&cad=rja 
 
 
 
Minggu, 25 September 2011

crest audio CV20 64

 http://www.crestaudio.com/products/
Design Focus





Ideally suited for both Front-of-House and Monitor applications, Crest Audio(r)'s new CV(tm) 20 provides complete flexibility for any Live sound application. CV 20 includes those features most-desired by touring and permanent installation engineers. Full-VCA control is provided, not only on input channels but also on group masters (aux masters in fader reverse mode) and L/R and Mono masters for maximum control of complex mixes. Four band sweep able EQ with Q control on the mids and a variable High Pass Filter are provided on all mono inputs. 12 auxiliary sends and 8 sub groups are standard on all CV 20 models with fader reverse functionality for easy use as a monitor console. CV(tm) 20 consoles are supplied with either 24, 32, 40, 48 or 56 mono input channels, plus 8 full stereo input channels. Basic configurations for all consoles included 12 auxes, 8 subgroups, Left/Right/Center/Mono with full metering. Also provided is an 11x4 matrix, full dynamics which can be either routed to the subgroup and L/R/M buses or auxiliary masters, true LCR panning on mono inputs and subgroups and full metering on all main outputs (Auxes, Subgroups, L/R/M buses). CV 20 also comes stock with a total of 16 mute groups and 136 mute scenes. Two internal field replaceable, power factor corrected, universal power supplies are standard on all CV 20 frames. Also provided is an optional meter bridge with analog metering of all main outputs (VU), bus link I/O module for linking multiple CV 20 frames together.

Features :
  • Eight subgroups
  • VCA masters
  • Modular inputs in blocks of eight
  • Inserts on all mono and main outputs
  • Optional meter bridge to monitor output in VU
  • LED bar-graph metering on all inputs and outputs
  • True LCR panning from mono inputs and subgroups
  • 24,32,40,48 and 56 mono + 8 stereo frame sizes
  • Flexible design allowing FOH, monitors or monitors from FOH applications
  • Fader reverse function allows aux master control on group faders
  • 12 auxes with flexible configurations (1-4 mono, 5-10 switchable between mono and stereo, 11 & 12 stereo with pre and post switching in the same configuration)
  • Fully dynamics on all main outputs (L/R/M and subgroups) that are routable to all aux masters
  • 16 mute groups, 136 mute scenes and 128 VCA assignment scenes with easy editing and MIDI control
  • USB Link for saving settings via jump drive
 
Kamis, 15 September 2011

Soundcraft Si3

http://www.soundcraft.com/products/product.aspx?pid=186

The Soundcraft Si3+ is designed for live use on both touring sound systems and in fixed installations, its intuitive operation and high input and bus count makes it a perfect choice for House of Worship sound systems. Theatre users will also find the Soundcraft Si3+ very applicable in their area.
As standard the Si3+ has 64 mic inputs mapped across 2 sets of 16 faders with each set of faders having 4 independent banks to offer the ultimate in fader layering flexibility. The onboard mic inputs are complimented with four dedicated Stereo Line channels, and four dedicated FX Returns from the four internal stereo Lexicon FX processors offering a full 80 inputs to mix from the onboard I/O. Four 64x64 channel expander slots allow the installation of further I/O sources including the connection of Soundcraft and Studer stageboxes.

Eight balanced insert sends and returns are provided along with a vast bus count of 24 Group/Aux busses, 8 matrix busses and a full complement of monitor talkback and main bus outputs. Buses may be freely assigned to any of the option slots or 32 Bus Out XLR connectors which exist in addition to the dedicated MIX and monitoring output XLRs. Every bus has a dedicated 30-band BSS Audio graphic EQ, permanently patched in with no additional drain on DSP resource. A unique feature of the Si3+ is the inclusion of an analogue input or line-out for every bus, master, monitor and talkback function bar none! A direct out from every mono channel offers a simple way to record every channel whether requiring this for later mix-down and production work or to use as a virtual sound-check at the next gig!
Such is the power and topology of the Si Series that the separate DSP and control engines allow you to make any system or function changes live with no interruption in the audio.
Like the Si2+ and Si1+, the Si3+ uses a combination of rotary encoders and OLED screens on every channel so the engineer mixes at source, without recourse to a central screen, an interface welcomed by many engineers. Using the center section and channel encoders, it is possible to simultaneously monitor and control input EQ, input dynamics and output EQ. Four assignable on-board Lexicon effect engines supplement 4 stereo inputs to provide a really powerful mix package. Soundcraft’s offline editor program, Virtual Si, can be used to setup and manage complete shows offline, for later download to the console through a USB memory key.
With a wealth of input and output connections and power supply on board, the Si3+ can simply drop in where an existing analogue console sat, utilising existing copper cable snakes and splitter systems.

One Box

  • 64 mic inputs, 4 stereo line inputs, 24 aux buses
  • 8 matrix buses, 12 VCAs, 8 mute groups
  • 4-band fully parametric EQ with high and low cut filters
  • On-board dynamics
  • Four independent Lexicon processors with dedicated returns
  • 40 XLR outputs and LED meter for every bus

Connectivity

On the rear of this highly-featured console are all the I/O connectors you’ll need. Sixty-four XLR’s for the mic/line inputs, 4 stereo line level inputs, 24 bus output XLR’s, 8 matrix output XLR’s Left/Right/Centre mix output XLRs, Left/Right/Centre monitor output XLRs  and comprehensive internal and external talkback and Oscillator connections. There are also 8 analogue insert connections which allow outboard processing to be inserted into any input channel output bus.


Offline Editor - Virtual Si

To compliment the Soundcraft Si3+, an offline editor (Virtual Si) is available. For more information on the Virtual Si

Knowledge Base / Useful Tips



Harman Pro Group

As well as the wealth of experience in digital platform development that Studer and Soundcraft have with the Vista and Soundcraft Vi Series', the Soundcraft Si3+ also draws expertise from other sister companies within Harman, with built-in effect processors from Lexicon and gates & compressors with the heritage of dbx and BSS Audio.

Soundcraft si2


The Soundcraft Si2+ is the big brother to Si1+ and will appeal to those wanting a compact and highly-featured digital console at a competitive price. It expands on the original Si2 through the addition of 16 more mic inputs, word clock out as standard and the option to swap the 16 mic inputs for an 8 mic input + 8 line output module if required.

The Si2+ comes in a larger footprint than its smaller brother and has 64 mic inputs mapped on 24 faders and four banks giving simple access to all channels whilst never losing sight of the stereo and FX returns. Like the Si1+ & Si3+ there are four dedicated Stereo Line channels, four dedicated FX Returns from the four stereo Lexicon FX processors, 8 balanced insert sends and 8 balanced insert returns. Si2+ is completed with 24 Group/Aux busses available at all times, 8 matrix busses plus a full complement of monitor talkback and main bus outputs. The four 64x64 channel expander slots allow the installation of further I/O sources including the connection of Soundcraft and Studer stageboxes. A direct out from every mono channel offers a simple way to record every channel whether requiring this for later mix-down and production work or to use as a virtual sound-check at the next gig!

Like the Si3+ and Si1+, the Si2+ uses a combination of rotary encoders and OLED screens on every channel so the engineer mixes at source, without recourse to a central screen, an interface welcomed by many engineers. Four assignable on-board Lexicon effect engines supplement 4 stereo inputs to provide a really powerful mix package. Soundcraft’s offline editor program, Virtual Si, can be used to setup and manage complete shows offline, for later download to the console through a USB memory key.
This console is perfectly suited for installations where space restricts placement of a ‘full size’ console such as Theatres, Houses of Worship and smaller Tour Sound systems.
With all input and output connections and power supply on board, the Si2+ can simply drop in where an existing analogue console sat utilising existing copper cable snakes and splitter systems.

One Box

  • 64 mic inputs, 4 stereo line inputs, 24 aux buses
  • 8 matrix buses, 12 VCAs, 8 mute groups
  • 4-band fully parametric EQ with high and low cut filters
  • On-board dynamics
  • Four independent Lexicon processors with dedicated returns
  • 32 XLR outputs and LED meter for every bus

Connectivity

On the rear of this highly-featured console are all the I/O connectors you’ll need. Sixty-four XLR’s for the mic/line inputs, 4 stereo line level inputs, 24 bus output XLR’s, Left/Right/Centre mix output XLRs, Left/Right/Centre monitor output XLRs and comprehensive internal and external talkback and Oscillator connections. There are also 8 analogue insert connections which allow outboard processing to be inserted into any input channel output bus.

Offline Editor - Virtual Si

To compliment the Soundcraft Si2+, an offline editor (Virtual Si) is available. For more information on the Virtual Si,

Knowledge Base / Useful Tips

For useful tips and tricks on using the console, check out our Si Series Knowledge Base

Harman Pro Group

As well as the wealth of experience in digital platform development that Studer and Soundcraft have with the Vista and Soundcraft Vi Series', the Soundcraft Si2+ also draws expertise from other sister companies within Harman, with built-in effect processors from Lexicon and gates & compressors with the heritage of dbx and BSS Audio.

Rabu, 14 September 2011

Soundcraft Vi6

Sound craft Vi6
http://www.soundcraft.com/products/product.aspx?pid=145



Eagerly awaited and now a reality, Soundcraft's first large-format digital live desk, the Soundcraft Vi6™ console is in fact already ahead of the pack, being third-generation thanks to a joint development with sister console company Studer. The console is heralded as the first in a wide range of digital consoles to come from Soundcraft over the next two years.

The Soundcraft Vi6 console has been designed using the proven reliability of Studer's Vista™ and On-Air 3000™ series of consoles, and, more importantly perhaps, uses a derivation of the Vistonics™ user interface (Vistonics™ II) to allow the engineer to operate the desk intuitively. Vistonics II uses the same type of touch-screen colour TFT monitor with integral rotary controls and switches mounted on the glass to provide a 'where you look is where you control' user interface.


Miscellaneous

audio Channels

  • Max number of simultaneous mixing channels
    96 mono inputs into 35 Outputs. Pairs of mono inputs can be linked to create stereo channels.
  • Insert points
    24 insert send/return pairs can be configured (using available I/O) and assigned to any of the 96 inputs or 35 output channels.
  • Direct Outputs
    All 96 input channels can have direct outputs in addition to their internal bus routing, assuming sufficient I/O is available (eg optical MADI card).
  • Busses
    32 Grp/Aux/Matrix, plus main LCR Mix and LR Solo busses (maximum of 16 matrix outputs can be configured).

Connectivity

  • Connection from local rack to stagebox: Standard fit: Cat5 or Cat7 cable, with Amphenol RJF connectors. Optional: Fibre Optical interface card (additional cost).
  • Max distance, local rack to stagebox: 80m using flexible reel-mounted Cat5 cable, 130m using Cat7 permanent installation cable.
  • GPIO facility: There are 16 GPIO contact closure inputs and outputs on the local rack, and 8 inputs and outputs on the stagebox.
  • MIDI: There is 1 MIDI In and 2 MIDI Outs on the rear of the control surface.

Offline Editor - Virtual Vi

To compliment the Soundcraft Vi6, an offline editor (Virtual Vi) is available. For more information on the Virtual Vi, click here.

Controls for Mute Group (x 4) and VCA Group (x 16) assignment. Controls for assignment of Vistonics rows to bus sends (when channel parameters are not selected to Vistonics). Snapshot automation controls. Talkback controls. Controls for Monitor Output level, phones level and Solo Trim and blend level.
 

Midas Pro 9

http://www.midasconsoles.com/pro9_intro.php


PRO9 Overview

The Midas PRO9 sits at the top of the Midas PRO Series, featuring a massive 88 channel input count and 35 buses, with the dual stage boxes offering placement flexibility up to 200m apart and 500m from the FOH position.
The PRO9 benefits from the full range of Midas I/O box options, including the DL251 fixed format stage box, the highly acclaimed DL431 24 channel 5-way mic splitter offering three mic preamps per channel and dual digital network connections, both with full redundancy. Flexibility can be further increased by adding the Klark Teknik DN9650 digital format converter offering MADI and Dante connectivity.
The Midas PRO9 comes complete with the features that have been made popular by established Midas digital systems, the XL8 and the PRO6. This includes the hugely successful VCA and POPulation groups, which allow users to navigate channels intuitively, without the confusion caused by layers or pages of faders. It features the legendary and much-loved Midas sound characteristics, which have their roots in the classic Midas analogue consoles. The PRO9 also benefits from the same comprehensive choice of effects and dynamics processing as the PRO6 and XL8, including the acclaimed XL8 compressor styles. Expandable modular connectivity means the system can be upgraded to meet any applications.


PRO9 Configuration

  • 288 inputs x 294 outputs (max capacity) point-to-point routing anywhere within the Network
  • 80 primary inputs
  • 8 return inputs
  • Up to 104 simultaneous mix channels
  • 16 Group/Aux & 16 Matrix - 32 Mixes in “monitor” mode
  • 35 mix busses
  • 10 VCAs
  • 6 POPulation Groups
  • 8 Effects devices
  • Up to 36 KT Graphic EQ’s - with optional DN9331 Rapide control
  • Configurable “Area B”
  • Standard surface I/O
    (3 configurable card slots)
    DL443 “TRS” card
    DL452 AES/EBU Input and Output “D” card
    DL442 Analogue Output “O” card
  • Stage I/O
    DL351 56 in / 8 out configurable I/O
    DL451 24 in configurable I/O
  • Dual-Redundant HyperMac (192x192) CAT5-e digital snake included
  • Fibre Optic connections
  • Control centre supplied in flight case
  • 16U flight case supplied for DL371 DSP and DL351 I/O**

Additional I/O Box Options

  • DL431 24 in 5 way split: fixed configuration I/O
  • DL251 48 in / 16 out fixed configuration I/O

I/O Card Options

  • DL441 Analogue Mic / Line Input “I” card
  • DL442 Analogue Output “O” card
  • DL443 8 Analogue Line In and 8 Analogue Line Out “TRS” card
  • DL452 AES/EBU Input and Output “D” card
  • DL444 8 Analogue Mic In and 8 Analogue Line Out “D Sub” card
  • Option of 150m Fibre Optic cable

Control Centre Weight and Dimensions

Width 1365mm x Depth 924mm (53.7” x 36.4”) Weight: 97Kg (213.4lbs)*
*weights are approximate and out of flight case ** Packing may vary by territory

Accessories

  • Klark Teknik DN9331 Rapide Graphic Controller
  • Klark Teknik DN9696 96 track High Resolution Audio Recorder
  • Klark Teknik DN9650 Network Bridge (MADI, Dante, Aviom, Ethersound, CobraNet)